Ed McDonald On Musical Meanings As Concrete And General

Edward McDonald wrote to: sys-func on 20 Nov 2023, at 09:59:

… This reflects my understanding of the nature of musical meaning as concrete but general. Musical meanings are concrete, again in my opinion but informed by a wide range of research across a number of disciplines, because they express our human embodiment: music represents a kind of semiotic transformation of our experience of our own and other people’s bodies moving through space and time. 

At the same time, musical meanings are general, because, to borrow the insight of one philosopher of music, music is like body language: when we observe someone’s body language, including their gait, posture, facial expression, and gaze, we can “read off” its meaning, but only in general terms. We can tell that someone is sad, but not why; we can pick up that someone is highly agitated, but we don’t know the circumstances that gave rise to that agitation – unless we use language to ask them about it. 

So language, in contrast to music, is more abstract, more detached from our embodied experience, but at the same time because it supplies us with a system of categories we can apply to that experience, linguistic meanings are more specific. 

So from this point of view, we can see that soundtrack / expression music – “songs with words” – and score / mood music – “songs without words” – take on, as you might expect, the general semiotic characteristics of the systems of language and music with which they are mostly closely identified in each case.

Blogger Comments:

[1] To be clear, this reason for musical meanings being 'concrete' is based on a misunderstanding, since it has the (Token–Value) relation backwards. It is the movement of bodies — in playing instruments — that expresses music, not the other way around. That is, McDonald claims that musical meanings are concrete because he misconstrues them as the more concrete Token instead of the more abstract Value.

[2] To be clear, this is another instance of the logical fallacy known as Appeal to accomplishment – an assertion is deemed true or false based on the accomplishments of the proposer.

[3] To be clear, one way to understand the difference between music and body language is through the theory of experience that has naturally evolved in English. Music is the Scope of the material Process of playing, whereas body language is a behavioural Process that 'manifests states of consciousness' (Halliday & Matthiessen 2014: 302).

[4] To be clear, this reason for musical meanings being 'general' is based on a misunderstanding, since it confuses elaboration (generality) with enhancement (cause: reason).

[5] To be clear, this is another instance of the logical fallacy known as ipse dixit, a bare assertion, since no supporting argument has been made, and the claim that the meanings of music are concrete is based on a misunderstanding; see [1].

[6] To be clear, this point has not been demonstrated; see [1] to [5] above.